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SOME NEWS
COLLECTING THE FUTURE, Presented by ASSEMBLY + ARTBLOCKS,
Houston, TX, May 26 - July 22, 2023
LOST PINES IMAGES ACCOMPANY WORLD PREMIER OF
MAREK PASIENCZNY’S THE ELEMENTS COMMISSIONED BY
THE AUSTIN CLASSICAL GUITAR SOCIETY
Saturday, February 18th, 8PM, AISD Performing Arts Center, ATX
LOST PINES REVIEW IN GLASSTIRE by Barbara Purcell
LOST PINES SIGHTLINES REVIEW by Jeanne Claire van Ryzin
LOST PINES BOOK REVIEW IN GLASSTIRE by Bucky Miller
LOST PINES BOOK REVIEW in COLLECTOR DAILY by Olga Yatskevich
HARPER’S MAGAZINE FEATURE in story by Rachel Cusk
DRIFT EXIBITION REVIEW in ARTFORUM by Barry Schwabsky
DRIFT BOOK REVIEW in COLLECTOR DAILY by Olga Yatskevich
POST CARDS FROM DEL RIO for TOPIC
HOT, WET AND OUT OF CONTROL:
The history of Texas’s power struggle with water for TOPIC
CONTACT / BIO /CV
CV PDF
email: barry{at}barrystone.com
instagram: @barry_stone_
Porch Swing Orchestra You Tube Channel
Barry Stone is a Professor of Photography in the School of Art and Design at Texas State University.
Barry Stone was born in Lubbock, Texas, and earned a BA in Biology and an MFA in Studio Art in Photography from the University of Texas at Austin.
His work is represented by Klaus von Nichtssagend Gallery in New York and Gaa Gallery in Provincetown MA and Cologne, Germany. He was the founding member of the artist collective Lakes Were Rivers.
His work has been nationally and internationally exhibited, notably at the Center for Art and Media, (ZKM) in Karlsruhe, Germany, The Lianzhou Photography Festival in China, and with Klaus von Nichtssagend Gallery in New York City. Stone is the author of three monographs of his photographs including, Daily in a Nimble Sea,published by Silas Finch which was a finalist for the Lucie Photobook Awards in New York City, shortlisted for the National Gallery of Victoria Cornish Prize in Australia and was chosen a photobook of note for 2017 by Jeffrey Ladd for Photobooks UK and Elizabeth Avedon, Drift, which was reviewed by Collector Daily, and Lost Pines slated for release in the summer of 2022. His photographs have been acquired by many public and private collections including the Cleveland Clinic, Fidelity Mutual Corporation Collection, The Center for Art and Media (ZKM), The Henry Art Gallery in Seattle, The Athenaeum of the University of Georgia, The Beinecke Rare Book & Manuscript Library at Yale University, University of Texas at Austin, and the Museum of Fine Arts Houston. His work has been reviewed or featured in publications including Harper’s Magazine, Dallas Morning News, Glasstire, Artforum, Artlies, Artnet, Washington City Paper, The New York Sun, TimeOut New York, Texas Monthly, and the New York Times.